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Good Art Is Worth Waiting For
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This article contains spoilers for You Can See Everything
About halfway into Nathan Fielder and Lance Oppenheim’s new A24 movie You Can See Everything, there is a scene that plays like a memory. Nathan Fielder stands, in the present of the movie, inside a San Diego ocean-front house looking out at the crashing waves, remembering. Then, playing for the viewer: two unidentifiable people in the ocean, frolicking, swimming in the icy cold waves, a blonde woman and a brunette man, both tall, both smiling. The camaraderie between them is undeniable.
